The Tanne Foundation
The Tanne Foundation

Tanne Foundation awards recognize outstanding achievement and are an expression of gratitude to artists for their passion and commitment to their work.

Tanne Award Testimonials:

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I opened an envelope and found a letter inside. The letter talked about the demands on artist’s lives. I could relate to those demands. Then, the letter recognized my achievements as an artist. Plus, there was a check in the envelope, money to aid in the pursuit of my work. The combination of recognition and validation was overwhelming. The letter made me weep — literally, the tears of a clown.

Receiving this award is an honor. I haven’t decided how I will use the money. I do know that I am grateful. Grateful for the recognition it brings. Thankful for the validation of my clown work. This award has come to me at a time when I felt that my work was overlooked and underappreciated. A feeling familiar to many artists. The Tanne Foundation is giving me empowering support with this award. I’m hearing that I’m doing good work and I’m getting resources to make my work better. Thank you, Tanne Foundation.

-- Meredith Gordon, Actor, 2019

The financial support meant more to me than I can ever communicate. But the acknowledgement that someone believed in me and my work, both up until that point and in to the future… well it was one of the most impactful and meaningful moments of my life.

My Tanne award came to me at such an early time in my career. I am now an Associate Professor at the University of Tennessee. I have been teaching for over 10 years and have been involved in numerous exhibitions all over the country. Here is one thing I have learned in my teaching and artistic experience. Being an artist is a trainable skill. There are things you can do to learn the necessary skills. In some ways, these skills are never fully attained. We just continue to try to improve upon them. This can be difficult and frustrating and at times seemingly insurmountable. Hard work, dedication, drive; indeed, these are important practices along the way. But there is one thing that every artist needs somewhere along the line. There is one thing that is incontrovertibly crucial to the development of artists no matter where they are in their career. At some point, somewhere along the way, someone has to say, "I believe in you." Artists need to know that they can indeed be artists. They need to know someone is watching them. Someone is interested in their growth, in their potential, and in their development as a human and an artist. They need to know they aren’t in this alone. They need to know they are supported and cared for. They need to know someone believes in them. 10 years ago, I was barely a year out of graduate school and at the very beginning of my first tenure-track position at Texas A&M University. This was a time of extreme excitement, but it was also filled with self-doubt, anxiety, and expectation. I remember so clearly opening an envelope with a hand written note on beautiful paper in brown ink. There was also a check in the envelope. I relate this story to my students and colleagues to this day. The letter seemed so out of the ordinary that I didn’t even finish reading the entire thing. It just couldn’t be. I looked at the check that was in the envelope and laughed. I said, "Ha, yeah right! Now that would be nice. Pfft Haha." Later that day, I picked the letter back up and read it in full. It seemed impossible. It was sincere and specific. It was addressed to me! It said in no uncertain terms, ‘We believe in you. We are interested in your growth, in your potential, in your development as an artist and a human and we support you.’ I remember saying aloud, "No way! No way! This can’t be! It has to be a mistake. It can’t be!" The financial support meant more to me than I can ever communicate. But the acknowledgement that someone believed in me and my work, both up until that point and in to the future… well it was one of the most impactful and meaningful moments of my life. My voice joins 20 years of esteemed and deserving Tanne Award recipients in gratefulness and thanks. My gratitude is unending. I am, to this day, working to make good on the Tanne Award’s generosity, support and care about my development as an artist and human. Thank you for your generosity and care.

-- Joshua Bienko, painter, 2009

I’m deeply grateful to the Tanne foundation.  I was fortunate enough to receive a Tanne Award in 2011, and it was a life-changing gift.  I came to NYC to act, direct, and teach, and Tanne has helped me make all of those things possible.

I moved to New York City immediately after earning my graduate degree from the American Conservatory Theater.  It probably won’t surprise you to know, I was immediately and consistently BROKE!  I moved to NYC to act, direct, and teach, but I found it impossible to get anything off the ground and still meet the high financial demands of the city.  I used the money to begin  The Crook Theater Company ,  and we have produced four shows, the last of which premiered at 59E59 Theaters this past fall.  The Tanne Award also afforded me the flexibility to begin pursuing a career in theater education, and fostered my success as a teacher. I’m now on the faculty at NYU, CAP21 and at Maggie Flanigan Studio.

-- Raife Baker, actor, 2011

The Tanne Award was an incredible boost for me, professionally and personally. I was running a fledgling theatre company all by myself, and desperately needed to "staff up". Tanne enabled me to hire my first assistant -- a small but vital step in building a stable company. I can’t tell you what it meant to be taken seriously as an artist and theatre maker at that crucial time.

-- Caroline Cook, actor/director, 2004

Art practice can seem like a solitary pursuit.

Receiving a Tanne Foundation Award is a wonderful reminder that the outcomes of this solitary pursuit will end up in general population and are then responded to by other individuals within the greater collective.

Generous spirits are necessary in ungenerous times.

-- Tony Schwensen, interdisciplinary artist, 2014

  • The re-signing and rewriting of the Mayflower Compact by 41 women. This first Colonial democratic document was signed in Provincetown Harbor in 1620. It's 400 anniversary is in 2020. It focuses on women's and indigenous' peoples as we create an inclusive compact for the future.

  • The re-signing and rewriting of the Mayflower Compact by 41 women. This first Colonial democratic document was signed in Provincetown Harbor in 1620. It's 400 anniversary is in 2020. It focuses on women's and indigenous' peoples as we create an inclusive compact for the future.

  • "The Whiteness House-tarred & feathered, feathers, mixed media, 7'x14'x10', installment view, performance installation, Santa Fe, NM, 2017."

The Tanne Award was an unexpected gift that validated my commitment to my work for social and economic justice. This unique award needs to be replicated across the country as we face unprecedented attacks on our democratic institutions. Thank you for this honor.

-- Jay Critchley, performance artist/writer/filmmaker, 2002

When I received the Tanne Foundation Award letter, I was thrilled. Being a full time artist in a rural community in Appalachian Kentucky, it is at times difficult to make enough money from my work to purchase all of the supplies necessary to create more work. The Tanne Award provided the extra capital necessary to invest in the materials to make my work. It also gave me the financial freedom to experiment with my art when so often, as a professional artist, I have to create work that I know will sell easily.  The Tanne Foundation is a blessing to the working artist. I am ever appreciative.

-- Lacy Hale, visual artist/painter, 2016

When I received my Tanne Foundation Individual Artist Award back in 2003 I was 47 years old and attempting to shape a freelancing career as a theatre director.  For someone close to 50 I was still struggling financially - well, not so much struggling as living from job-to-job, check-to-check…  And my self-confidence has always been on the low end. But it was an interesting and significant internal shift that happened when the Tanne Foundation took the surprising step  - I almost want to say “audacious” step - to grant me an award.

My confidence steadied.  I felt that if Vinnie Murphy and the Tanne Foundation had that much belief in me as a director I guess I should as well.  I began to understand that I had Experience and some Knowledge -that that could actually lead to a better and more efficient level of Learning.  I became OK with knowing I knew certain things - and became even more OK with stepping into the unknown places.  I finally matured.  I felt I was actually having a career, not struggling to find one.  And it was around this time that I began to blend my theater work with teaching on the university level. With the award came a kind of respect.  I appreciate that more than anything.   I thank the Tanne Foundation for placing me in such brilliant company and giving me a mirror in which to see myself more clearly and confidently.  It has helped my work immensely.

-- Tim Ocel, director/theater/opera director, 2003

The idea that performance art might attract tourists seems similar to the premise of Jurassic Park.  At any moment, things could break down and the artists will eat the audience.

The Tanne Award appeared like a signal of confirmation to keep walking forward in a period of doubt. Thank you!

-- Adam Rose, dancer/performance artist, 2013

The Tanne Award encourages me to keep pursuing art. It pushed me to higher heights in the arts.  I have received the 2015 Kentucky Governor’s Award in the Arts for Folk Heritage and a citation from the Senate and the House of Representatives. I was also invited to lecture and exhibit art pieces to students at Ft. Campbell last year at Barkley Elementary School and have exhibited at many other museums around the United States.

-- Willie Rascoe, sculptor, 2012

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